For fans of the compulsive psychological suspense of Ruth Ware and Tana French, a mother daughter story—one running from a horrible truth, and the other fighting to reveal it—that twists and turns in shocking ways, from the internationally bestselling author of The Scholar and The Ruin.
First Rule: Make them like you.
Second Rule: Make them need you.
Third Rule: Make them pay.
They think I’m a young, idealistic law student, that I’m passionate about reforming a corrupt and brutal system.
They think I’m working hard to impress them.
They think I’m here to save an innocent man on death row.
They’re wrong. I’m going to bury him.
Another one I picked off the shelf, but it certainly had an interesting premise. As a legal(ish) thriller, it was fairly well executed, and it wasn’t too jargon heavy, and anything that needed explaining was explained well. Compared to my last review of Verity, there were actually a lot of similar plot elements that I found interesting.
The Murder Rule follows our protagonist, Hannah, who worms her way into the Project Innocence project at the University of Virginia Law. She has high stakes in this project, as they are taking care of a famous murder case. Except she isn’t there to help free him like everyone else is. Will she be found out as she works against her own team? Full of twists and surprises, this is a story of girl who will do anything for her goals, with her own ideals of the justice system.
Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish.
Lowen arrives at the Crawford home, ready to sort through years of Verity’s notes and outlines, hoping to find enough material to get her started. What Lowen doesn’t expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity’s recollection of what really happened the day her daughter died.
Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents would devastate the already grieving father. But as Lowen’s feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife’s words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue to love her.
A couple of people have recommended this one to me and boy did it not disappoint. I had no expectations going in and honestly I didn’t even know it was a thriller until I started it. Overall it was a fantastic surprise and I can say it really was one of the best (or at least most exciting) thrillers I’ve read in a while, that really elicited some emotional reactions.
Verity is a story of a struggling thriller writer who is suddenly whisked away to write for a an author (Verity) renowned for writing thrillers from the perspective of the villain. Our protagonist, Lowen, arrives at Verity’s house to do research for the upcoming writing projects, but the home is the site of many recent tragedies, including the death of their twin daughters followed by Verity’s accident, leaving her unable to finish writing her series. Lowen finds Verity’s autobiography, detailing the events of meeting her husband and even through the deaths of her children, hidden away in her office. The house gives Lowen an eerie feeling, and maybe or good reason. Just what happened with Verity, and is there something much more sinister lurking behind each corner? What is the truth, and do we really want to know what it is?
The characters were all great in this book. Honestly I found most of them at least some base level of despicable. However, it was still written in such a way that I really enjoyed reading and I struggled to put it down (though I did, explained later). Usually in a book where I can’t really relate to any character or “get behind” their perspective, I usually don’t enjoy the book. However, the characters in this novel were all flawed in believable ways, and it just made me feel like an innocent bystander who couldn’t help but watch the train wreck unfold. For a thriller, we got a lot of time to dive deep into many of the characters because of the nature of having the autobiography retelling everything. This was definitely unique to the book and I really enjoyed the dual perspectives.
The plot was very good. I was instantly enraptured and it was really hard to put it down, because I just needed to know the ending or at least discover what the truth was. The suspense was extremely well executed. Just enough paranoia, mixed with the protagonist’s sleepwalking history, mixed with the accident-prone family, and the fact that the deal was too good to be true really had me suspicious from the very start. The book really leads you down a path which seems normal at first but with each page becomes more of a shocking horror. Kudos to the author for genuinely spooking me with this book (in a good way!)
The ending was also phenomenal. One of the best thriller endings I have ever read to be honest. On the spectrum of too much left hanging versus everything tied up too well, it reached a very very happy medium. Overall it just really baffled my mind and was a type of ending that I really didn’t see coming. The author really took the train of thought I had and then turned it around halfway and jammed it onto itself–can you tell I was really affected by it? Anyway, I wouldn’t want to spoil the ending, but I really felt that it added a whole extra level of horror that I haven’t experienced in a while.
Overall Recommendations
Verity is a suspenseful thriller novel revolving around a struggling writer, Lowen, who gets asked to finish a famous series of thrillers written in the perspective of the villain. As Lowen enters into the headspace of the original author, Verity, especially by reading her unpublished autobiography, dark things begin to become clear. What is the truth behind the tragedies in Verity’s life and is it more sinister than what it appears to be? Find out in this exciting thriller that you won’t want to put down!
Rachel catches the same commuter train every morning. She knows it will wait at the same signal each time, overlooking a row of back gardens. She’s even started to feel like she knows the people who live in one of the houses. “Jess and Jason,” she calls them. Their life—as she sees it—is perfect. If only Rachel could be that happy. And then she sees something shocking. It’s only a minute until the train moves on, but it’s enough. Now everything’s changed. Now Rachel has a chance to become a part of the lives she’s only watched from afar. Now they’ll see; she’s much more than just the girl on the train…
I know I’m pretty late to the game on this one, as there’s a movie out for it and everything already. However, if you haven’t read it already, I can definitely recommend it! It’s been on my TBR for so long and I’m glad to have finally gotten around to it. It didn’t disappoint! I wasn’t sure what to expect, but I enjoyed this one.
The Girl on the Train revolves around a few of the characters in the thriller. A lot of it takes place in Rachel’s POV who is probably the closest thing to our protagonist, though I struggle to really say that she is. Nevertheless we mostly follow her storyline as she watches a house day by day on her commute on the train; longing after a life she once had as she watches a couple from the train every day.
Down the Rabbit Hole 