A powerful and poignant new book by Crazy Rich Asians and Fresh Off the Boat star Constance Wu about family, romance, sex, shame, trauma, and how she found her voice on the stage.
Growing up in the friendly suburbs of Richmond, Virginia, Constance Wu was often scolded for having big feelings or strong reactions. “Good girls don’t make scenes,” people warned her. And while she spent most of her childhood suppressing her bold, emotional nature, she found an early outlet in local community theater—it was the one place where big feelings were okay—were good, even. Acting became her refuge, her touchstone, and eventually her vocation. At eighteen she moved to New York, where she’d spend the next ten years of her life auditioning, waiting tables, and struggling to make rent before her two big breaks: the TV sitcom Fresh Off the Boat and the hit film Crazy Rich Asians.
Through raw and relatable essays, Constance shares private memories of childhood, young love and heartbreak, sexual assault and harassment, and how she “made it” in Hollywood. Her stories offer a behind-the-scenes look at being Asian American in the entertainment industry and the continuing evolution of her identity and influence in the public eye. Making a Scene is an intimate portrait of pressures and pleasures of existing in today’s world.
A poignant collection of essays about different moments and time periods in Constance’s life, I thoroughly enjoyed the personal stories and lessons she drew from all these experiences she’s documented. Looking at both her childhood and the people/places that have shaped her into the woman she is, this isn’t just a book about being Asian in Hollywood but a well rounded story of the heart of Constance Wu and that makes it ever more so worth reading.
Alice Sun has always felt invisible at her elite Beijing international boarding school, where she’s the only scholarship student among China’s most rich and influential teens. But then she starts uncontrollably turning invisible—actually invisible.
When her parents drop the news that they can no longer afford her tuition, even with the scholarship, Alice hatches a plan to monetize her strange new power—she’ll discover the scandalous secrets her classmates want to know, for a price.
But as the tasks escalate from petty scandals to actual crimes, Alice must decide if it’s worth losing her conscience—or even her life.
In this genre-bending YA debut, a Chinese American girl monetizes her strange new invisibility powers by discovering and selling her wealthy classmates’ most scandalous secrets.
**If You Could See the Sun comes out October 11, 2022**
Thank you Edelweiss and the publisher for this copy in exchange for an honest review.
Asian representation? Check. International boarding school locale? Check. A swoony academic rivals to lovers romance? Check. If You Could See the Sun checked off a LOT of boxes for me even before getting into it, but the actual story was a brilliant debut full of hijinks and personable characters to root for.
Alice goes to one of the most elite boarding schools in Beijing but that comes with a little problem. Her family is actually not that well off, and she only has half a scholarship to cover the cost of tuition. When it seems her family cannot afford to keep sending her to the one place where she feels she can be seen for who she is (re: almost the smartest overachiever), she gets desperate to maintain the crafted identity and reputation she took years to cultivate.
The idea of being unseen when Alice is surrounded by classmates from the top echelons of society, sons and daughters of actors and singers and CEOs, is one that I think we can all resonate with even if our situation is nowhere near as extreme. While others could be known for their money, charm, beauty or athleticism, Alice felt she really only had one thing: her intellect and ability to be the top 1 in her class. And in China, let me tell you, that is a whole different world and standard than perhaps what North American society is like, regardless that this is an international boarding school.
Of course, what irked her more was that her identity had to be shared with a rich boy who didn’t seem to need this reputation as much as she did. Enter Henry, who secretly is a cinnamon roll and probably had a crush on her the entire time. Personally, I think I liked that romantic set up even more because it’s obvious to ALL of us minus Alice that he didn’t see her as the enemy in the same way she built up their rivalry. The angst of waiting to see what could come of a partnership between them? Pure delight.
The pacing was good as it soon became evident that Alice’s fear of being unseen and unknown was building to explosive levels as her time at school was ticking towards a close. The slightly paranormal aspect of this story that imagines her feelings of invisibility manifesting as actual invisibility? I really enjoyed that because it was the perfect plot point to develop everything else. What do you get when you have a desperate girl wanting to make money with the uncanny ability to sneak around behind everyone’s literal back? A perfect money-making scheme.
As requests come in for Alice’s anonymous services that utilize her ability, it goes from innocuous to downright criminal. This is definitely more of a character-driven story than a plot one in the sense that the requests Alice accepts help build her character in good or bad ways. She was always a loner, friendly to everyone but not tight with anyone. Doing this brought to light secrets about her classmates as well as opened her eyes to who Henry could be to her if she wasn’t so angry with him all the time. While the plot could deviate a little depending on the task, it always felt relevant in terms of her growth trajectory.
Now, were there no complaints at all about the story? No, I can’t say it was perfect and I’ll outline why I had to dock off half a star.
The actual “magical” ability to turn her invisibility on or off wasn’t very clear. It just happened one day, and then there was no actual learning to control it. Even when Alice started using it for her services, she could never actively control it, but rather timed her activities to when she thought she was due to turn invisible based on past frequencies. Also, becoming visible again? Not controlled either. It’s a surprise she never got caught in the earlier tasks when she had no estimate for how long invisibility would last. While it’s not the biggest thing to nitpick on, the invisibility aspect is just a plot device and nothing more, and I feel it could’ve been utilized more as the metaphor it was. Does she get to keep this “ability” for the rest of her life or will it disappear if she learns to be seen for who she is in other aspects of her life? None of that is clear.
However, the bigger reason for not getting a full rating is the climactic request the synopsis hinted at. It gets SUPER morally grey with the decision Alice makes, and I personally do not condone how it all ended. I don’t know if it’s because of the fictional aspect, but I’m 100% sure in real life there would be more consequences. That’s not to say Alice’s growth was a villainous turn or anything. I do think it was a realistic arc for a desperate girl who wanted to her onto her one identifying characteristic. So kudos to Ann Liang for writing a complicated but realistic protagonist. Just some parts didn’t sit as well with me while I was reading it.
Last note before I end this review. While the setting is in Beijing and full of Chinese characters, whether foreign born or locals with high achieving families, this book brings lots of Asian representation to the table while not making it the biggest thing about it. I personally really liked that take. Don’t get me wrong. There are fantastic books that featured heavily on the Asian experience among the diaspora but this was a little different. Perhaps it’s because Alice is currently living in China, the land of her ancestors, so the focus can be on the Asian culture experience as it pertains to familial relationships and priorities without the major dissonance between two cultural identities. That is still relatable, or educational, but brings something slightly different to the table that I appreciated seeing.
Do I think this book is for everyone? Yes. Regardless if you’re Asian or not, this was a fun story of the lengths we may go to meet our own expectations and cultivated identities. It’s relatable to the human experience, but I loved the added bonus of having the Asian representation brought into focus. The romance was just the icing on top because who wouldn’t love a sweetheart like Henry with the manners of a far older gentleman? Please pick up this book when it comes out!
If You Could See the Sun tackles the overarching question: what lengths would you go to to be seen by others? Set in a gorgeous international boarding school in Beijing and filled with all sorts of cultural references, Alice gets to answer this question herself as she literally, not metaphorically, turns invisible one day. This embarks her on a journey of self-discovery and re-evaluated relationships, especially with her academic rival, Henry. The romance was superbly done with lots of the best kind of angst, and the pace of the story grows to a climax that hangs on the edge of a cliff. This book has something for romance lovers and those who love contemporaries with thought provoking themes. It is a truly great debut with excellent Asian representation as a bonus.
New York Times bestselling author Tiffany D. Jackson ramps up the horror and tackles America’s history and legacy of racism in this suspenseful YA novel following a biracial teenager as her Georgia high school hosts its first integrated prom.
When Springville residents—at least the ones still alive—are questioned about what happened on prom night, they all have the same explanation . . . Maddy did it.
An outcast at her small-town Georgia high school, Madison Washington has always been a teasing target for bullies. And she’s dealt with it because she has more pressing problems to manage. Until the morning a surprise rainstorm reveals her most closely kept secret: Maddy is biracial. She has been passing for white her entire life at the behest of her fanatical white father, Thomas Washington.
After a viral bullying video pulls back the curtain on Springville High’s racist roots, student leaders come up with a plan to change their image: host the school’s first integrated prom as a show of unity. The popular white class president convinces her Black superstar quarterback boyfriend to ask Maddy to be his date, leaving Maddy wondering if it’s possible to have a normal life.
But some of her classmates aren’t done with her just yet. And what they don’t know is that Maddy still has another secret . . . one that will cost them all their lives.
**The Weight of Blood comes out September 6, 2022**
Thank you Edelweiss and the publisher for this copy in exchange for an honest review.
While The Weight of Blood was every bit the strong contender about race and the continued challenges the Black community faces in certain small towns with a history of segregation and racism, the execution of the mystery fell flat on so many levels. I know this is an unpopular opinion, but I’ll explain why I can’t give it a higher rating no matter how much I want to.
The premise of the story from the synopsis makes it sound like we follow Maddy, a girl who is half-Black but has been “lying” to the whole town and passing off as white her whole life. Unfortunately, her POV is only one of many that we follow and it dilutes the focus between too many people to thoroughly invest and enjoy any one of them. We follow Kenny, the love interest, who also happens be dating a popular white girl who is part of the group that bullied Maddy. But not only his POV, we get his girlfriend’s POV which was a rather interesting take as it made it harder to yearn for the main romance when I empathized with her situation the more I got to know her.
For the parts where we do get to see the situations Maddy lives through which we know somehow leads up to a Bloody Prom Night that left over a hundred dead in their small town, I was utterly enthralled in half amazement and disgust. Amazement at how she was raised and her fanatical father who put this narrative in her mind that being Black was wrong, but definite disgust at the treatment of her peers and the town overall towards her. I mean, they still had separate proms, like other ethnicities weren’t seen as equals to dance and celebrate together? Just disgusting behaviour, and I really hope not reflective of small towns in America.
I did think the social commentary on racism was a great place to launch much-needed discussions on this topic. In particular, I also liked the focus on her peers who didn’t throw any insults or directly did anything but nevertheless just stood by and allowed the ones who did get a free pass. Aren’t they as much at fault for what led up to the tragic Night?
Another interesting take was how the small Black community at school didn’t necessarily welcome her into their arms either. Was it because they thought she was ashamed of her Blackness and thus extends to those in the community? Was she not Black enough for them to at least acknowledge her as one of them? It was something that Kenny had to reflect on too as he had integrated well into the popular groups at school by, in a sense, pretending he was colour blind to the little “jokes” by his friends that really were microaggressions or harmful stereotypes.
I would’ve liked to have seen more focus on this topic but I suppose the point of the main premise is a thriller – the big Why everyone (or rather, the survivors) is trying to answer.
Don’t get me wrong, I love a good thriller, but the pacing was super off here. First, reminiscent to the popular book Sadie, there’s a present day podcast in interview style narrating what had happened a decade ago that is Maddy’s story. So the timeline is actually split with the present day parts looking to explain what led to the tragedy. While I like having the podcast style and making us feel just as confused and intrigued by Maddy’s story as the podcaster, it slows things down by cutting into any buildup. The multiple POVs with changing tensions (or different kinds of tension) doesn’t allow for extended buildup either. It’s just getting good – and then it cuts to present day or another person.
The romance was also marketed for this book in some ways, but I never felt any real chemistry between Kenny and Maddy. Yes, they both had to come to terms with their Blackness and what that means in who they want to be and how others may see them. But a connection on that struggle that doesn’t equate to instant attraction and undying love. Kenny did a complete 180 as he was still technically in a relationship with his girlfriend Wendy (whom we also get to really know) for most of the book. I honestly felt bad for Wendy at times even though she missed some cues that the relationship was not going where she hoped it would.
But, the one thing I think everyone loved given the strong Carrie vibes (is this considered a retelling?) but didn’t quite settle with me is the supernatural element to the story. I never read Carrie so I didn’t immediately make that connection with the synopsis so I most definitely wasn’t anticipating this supernatural narrative. In a way, it makes the premise less mysterious and therefore exciting for me. Now there’s a very plausible way that Bloody Prom Night ends up happening and there’s definitely plenty of motive for why on Maddy’s part. The only unknown is the exact sequence of events that led up to it. And the execution of that, as mentioned above, was at times convoluted and all over the place.
I wanted to love this book so badly. I haven’t been reading the reviews for it so I had no high expectations either beyond the premise. Unfortunately, however unpopular this is, The Weight of Blood was less thriller and more of a paranormal story with commentary on race and segregation in small town America.
The Weight of Blood doesn’t quite hit the nail as a thriller but it at least provides thoughtful reflection on Black identity in predominantly white small towns with a legacy of racism. I thoroughly enjoyed this aspect although it sickened me in places at the abuse our protagonist, Maddy, faced. However, the romance felt forced and the supernatural elements came as a surprise. If you enjoy social commentary on race with a huge sprinkling of paranormal activity, then this is for you! But otherwise, this isn’t what I’d say is a typical thriller and unfortunately not what I anticipated for my first Tiffany D. Jackson novel. It’s probably a case of “it’s me, not the book” so take what you will from this review.