Tag: strong protagonist

YA

Review: Tell Me Three Things by Julie Buxbaum

Andge @ Down the Rabbit Hole

V23 new typeface tagline.inddEverything about Jessie is wrong. At least, that’s what it feels like during her first week of junior year at her new ultra-intimidating prep school in Los Angeles. Just when she’s thinking about hightailing it back to Chicago, she gets an email from a person calling themselves Somebody/Nobody (SN for short), offering to help her navigate the wilds of Wood Valley High School. Is it an elaborate hoax? Or can she rely on SN for some much-needed help?

It’s been barely two years since her mother’s death, and because her father eloped with a woman he met online, Jessie has been forced to move across the country to live with her stepmonster and her pretentious teenage son.

In a leap of faith—or an act of complete desperation—Jessie begins to rely on SN, and SN quickly becomes her lifeline and closest ally. Jessie can’t help wanting to meet SN in person. But are some mysteries better left unsolved?

Julie Buxbaum mixes comedy and tragedy, love and loss, pain and elation, in her debut YA novel filled with characters who will come to feel like friends.

3.5 Drink Me Potions

(1) I just finished it and let me tell you. The ending was perfect. P-E-R-F-E-C-T. Others say it was a bit rushed and there could’ve been more, but I think it was the proper place and way to end it off because of the way Julie Buxbaum set it all up from the start.

Let me start from the beginning (in which it might make more sense with my ramblings that way).

(2) I initially didn’t like this book. At all. Was thinking it pushed 2 stars at most. It wasn’t necessarily ’cause Jessie’s all sad and lonely and nothing seems to be going right in her life with her familial situation. And not necessarily ’cause it was slow. It might just be a slow accumulation of all these things happening to her at the less-than-fast pace it was going. The only thing that kept me somewhat interested was the Somebody Nobody (otherwise known as SN, of course) angle which really kept me guessing (I’ll come back to this later).

Heck, around this time, I wished I was able to escape Jessie’s life as much as she did. I suppose that should account for something if the writing brought out such a strong emotion in me too.

It got to the point where I needed to take a week-long break from this novel at around the halfway mark. But when I came back to it, it was like opening my eyes to a whole new story. Yes, Jessie still was hurting from her change in environment and situation with her dad and steppeoples, but it didn’t feel like just whining anymore. She really was like a ninja, a kick-ass fighter who could maker he way through hard stuff alone even if at the time she didn’t realize she could be so strong.

Jessie grew a lot in the second half. And what made me inhale this part so fast was that she was relatable. No, I never lost a parent (and I don’t wish that to happen any time soon), but her insecurities and her with to be seen was all very real. The pain and loss she felt were also a huge part of who she was, and it may have been annoying at first when it was all that her character seemed to be, but I wouldn’t exchange this part of her now ’cause it helped her figure things out about herself and learn to take a step forward in moving on, little by little. She didn’t solve anything big about her grief for her mom, but the little things do matter. Like patching things up a bit with her remaining parent and learning to tolerate (may I even say “love” even?) her stepbrother and stepmom. Nothing is 100% wrapped up, but these things were a start to hopefully a realistic (but happy) story for Jessie.

(3) Now, my fav. part and what cemented this story together (in my honest opinion) was SN. And his identity. I thought I knew who he was from the start, yet Buxbaum made me guess and re-guess as she threw out red herrings and what not.

And I wanted to know because SN’s conversations with Jessie were absolutely amazing. Their little game of telling each other 3 things (where the title was obviously taken from) about themselves each day was fun yet also made opening themselves up to each other easier. Their honesty about what they feel was real. Their connection over loss and grief was potent, but they knew that the other understood. That even when they felt so alone in their every day life, they were still seen.

So the ending that seemed a little abrupt? I wholeheartedly disagree. It should end there, with SN’s identity. It’s one thing to connect and say all these well-edited words on a screen and not have the person staring back at you as you open up your heart of all that’s burdening you. Buxbaum even acknowledges that every time Jessie wondered whether her connection to SN was because she could so easily be someone different, someone better, on screen since she had the time to edit her words and change them if she didn’t like it. Real life is harder. There are no delete buttons and things pop out your mouth before you can filter them. So upon meeting the one person who kept Jessie grounded since she moved to Cali was very fitting. And knowing that their identity doesn’t necessarily change everything about their relationship.

Romance and grief aside (along with my not-so-humorous attempt to list 3 things this book was to me), this story also had its hand of strong supporting characters. Jessie had a pretty strong and distinct narrative voice, but still had that quality that made her someone I could connect with – a feat that is hard to create well. From her flamboyant, gay stepbrother to the wise and brave bestie she left back home in Chicago, this cast was well-developed, each with their own personalities and problems to overcome.

There were hints of a love triangle, even in the synopsis, but personally, it didn’t ever really feel that way. It can still be construed as one as you read it, but Jessie made it clear there was only one guy she was interested in that way from the start. So I’m not sure you can really count it as one. Ethan, her English partner, was totally a delicious character. His aloofness, hot-and-cold moodiness, plus being a rocker guitar player automatically lands him the bad boy status. But his sensitivity to poetry and smart comments about what matters in life beyond what rich kids at their school normally think are important made me wish I had an Ethan in my life too. He ranked pretty much as high as SN in this book for me.

All in all, Tell Me Three Things took me on a roller coaster ride that in hindsight I’m glad I continued all the way to the end. It may seem like just another romantic book on first love and dealing with loss, but Buxbaum crafted it realistically and beautifully.

Overall Recommendation:
A story full of emotion, Tell Me Three Things follows Jessie, a girl you may feel is quite familiar to you even if you haven’t experienced half of what she did, on her journey across the country to a brand new start she never wanted. From the excitement of conversing with an anonymous person dubbed Somebody Nobody and wondering at his identity, to dealing with the pain and loneliness of moving into her new stepfamily home, Jessie’s experiences moved from fun to heartwrenching in the next moment. Buxbaum makes the things Jessie’s going through realistic and the connections she makes with new friends in Cali are sometimes very deep and profound. After struggling for a good half of the novel, I will say that Tell Me Three Things thoroughly redeems itself, and by the end, left me sighing with an ending that was just right.

YA

Review: This Savage Song by Victoria Schwab

Andge @ Down the Rabbit Hole

Series: Monsters of Verity #1

this savage song -victoria schwabThere’s no such thing as safe in a city at war, a city overrun with monsters.

In this dark urban fantasy from author Victoria Schwab, a young woman and a young man must choose whether to become heroes or villains—and friends or enemies—with the future of their home at stake.

Kate Harker and August Flynn are the heirs to a divided city—a city where the violence has begun to breed actual monsters. All Kate wants is to be as ruthless as her father, who lets the monsters roam free and makes the humans pay for his protection. All August wants is to be human, as good-hearted as his own father, to play a bigger role in protecting the innocent—but he’s one of the monsters. One who can steal a soul with a simple strain of music. When the chance arises to keep an eye on Kate, who’s just been kicked out of her sixth boarding school and returned home, August jumps at it. But Kate discovers August’s secret, and after a failed assassination attempt the pair must flee for their lives.

5 Drink Me Potions

Thank you Edelweiss and HarperCollins for this copy in exchange for an honest review

**This Savage Song came out June 7, 2016**

Monsters, Monsters, big and small,
They’re gonna come and eat you all.
Corsai, Corsai, tooth and claw,
Shadow and bone will eat you raw.
Malchai, Malchai, sharp and sly,
Smile and bite and drink you dry.
Sunai, Sunai, eyes like coal,
Sing you a song and steal your soul.


This Savage Song held high reviews from other early readers but the hype is really worth it. This novel was astounding. And I don’t say that lightly about most books.

Set in a world ravaged by crime and separated into little territories after decades of fights, this violent world has brought to life an evil that now breathes and destroys whatever is in its path. Monsters. Made of shadows and past crimes committed by humans, they’ve taken a form of their own. Or 3 forms, in fact. Corsai, Malchai and Sunai.

At first, the world and how it functioned was a little confusing, especially about the monsters and how they were created. But Schwab’s writing draws you in, wrapping you in this world that’s terrorized by creatures literally made of shadows and sins. Once you get past initial confusion, the details slowly fall into place and this world will amaze you at its simplicity – it’s like you know it so well by the end of it that you feel you lived there with them – and its imaginative detailing. Verity, or V-City, is one scary place to be in. And it’s been divided into 2.

Kate is the daughter of the man controlling the northern part of the city. I initially despised her. She’s human, yet she acts like a monster. She intentionally is cruel to others, willing to do whatever it took to please her very distant father and be worthy of their name. But over time with the horrid events thrown into her path in this book, she learns that there’s always a choice to be made, and maybe, just maybe, being her father’s daughter isn’t the most important thing to be in her life.

August works for the man who’s in charge of the southern half of the city, along with his brother and sister. They consider themselves one family, no matter if they’re not blood related. Because August is a monster. At first, I wasn’t even certain that he truly was. He’s gentle and hates what he is. It’s one huge part of his half of the story. Abhorring who he was, the very fabric of what keeps him alive, but he can only act human to a certain extent. His inner struggles were some of my favourite parts of This Savage Song. They were detailed and tug on your heartstrings for this poor boy who wished to be other than what he was.

 

It was a cruel trick of the universe, thought August, that he felt human only after doing something monstrous. Which made him wonder if that brief glimpse of humanity was really just an illusion, an echo of the life he’d taken. An imposter sensation.
Leo’s voice came to him, simple and steady. This is what you do. What you are.
Ilsa’s rose to meet it. Find the good in it.


I loved how much he developed as a character. Sometimes the decisions he made were necessary ones, and this story was so good at being unbiased about the white and the black, the light and the dark. Sometimes, there are just gray areas. Sometimes, you are just made of both light and darkness.

This Savage Song also didn’t have a huge array of characters. In fact, although there are a number of minor characters and a few more important supporting figures, this book really does only centre on Kate and August. And I’m perfectly fine with that.

Their relationship was initially brought about intrigue. Like the two of them could understand each other, no matter how different they were. Maybe it’s because they both understood what the world truly was like that they lived in. They weren’t pretending that everything was okay, that monsters didn’t just walk among them. But they also weren’t just cowering in fear until the day they died. They both wanted to live. No matter what living really meant in a world like theirs.

 

Whatever he as made of – stardust or ash or life or death – would be gone.
Not with a bang, but with a whimper.
In with gunfire and out with smoke.
And August wasn’t ready to die.
Even if surviving wasn’t simple, or easy, or fair.
Even if he could never be human.
He wanted the chance to matter.
He wanted to LIVE.


With prose like this and more, it’s easy to see why I absolutely adored Schwab’s writing. The descriptions aren’t long and tedious, but it gets you thinking and exploring what’s on the minds of both Kate and August. It’s not all clouds and rainbows, if any. They understand the harshness of life.

As their relationship progressed, you may think “hey, maybe a beautiful forbidden romance would bloom between them”. Well, guess again.

Their relationship maintains platonic throughout and although I’m normally a huge lover of a cute romance between protagonists, this just felt right. A romance didn’t fit in with everything else that was going on here. It would’ve taken away from the development of their individual characters with the problems they were dealing with. They needed to do it on their own without being clouded by the other’s opinions if they were thinking of each other in that way. Maybe in the sequel it might take a different stance, but here, this was perfect. A friendship that depended on one another, a trust that was built on danger but tested and solidified through the fire. I adored them both equally, but I also loved them together the way they were.

 

….a single shadow screamed and toppled forward from the mass, white eyes winking out, teeth raining down on the damp floor like loose stones.
“Any time now,” snapped Kate as the Corsai rattled and hissed.
“Can’t rush art,” said August as he rested the bow on the strings.

At moments, their interactions and banter were even a little comical (in the dry sense, of course) to take off some of the tension building.

 

“Listen to me,” he said, pulling off his coat. “You need to stay awake.”
She almost laughed, a shallow chuckle cut short by pain.
He tore the lining from the jacket. “What’s so funny?”
“You’re a really shitty monster, August Flynn.”


At the end of the day, This Savage Song explored what it meant to accept what you are but to also understand that you decide what you do with that. Your decisions are what warrant you a monster, whether you were born human or a monster. Victoria Schwab goes through this all by immersing you into the heart and minds of August and Kate, two people who became so real to me that I was sad to see their story ending for the moment. Until the sequel, then.

I shall end off this long review with another beautiful moment between Kate and August. Maybe you can start to see how I fell so in love with them both. Their ability to continue on even when it’s just so much easier to give up all hope.

 

The sky was on fire. He wondered if Ilsa had ever seen stars, which were so strange and perfect. One streaked across the sky, trailing light.
“I read somewhere,” said Kate, “that people are made of stardust.”
He dragged his eyes from the sky. “Really?”
“Maybe that’s what you’re made of. Just like us.”
And despite everything, August smiled.


Overall Recommendation:
There is so much that I can say about Victoria Schwab’s This Savage Song but I’ll simply just say this. It’s a beautiful story depicting two teenagers who learn that there’s more to light and darkness than just what you’re born as or whose family you belong to. Finding hope in a violently torn apart world like theirs, Kate and August both grow in ways that make you hold your breath and silently root for them as they navigate decisions that are hard to make. I absolutely adored them both, and the mental journey they each took to the place they’ve reached at the end of the book. This goes to show that the YA genre doesn’t require a romance as a driving force for a good story. Their platonic friendship was beautiful in its own way and I cannot wait to see what else comes their way in the sequel. With plenty of action, imaginative creatures made of darkness and a world that sucks you in along with two very strong protagonists leading the way, this is one book you most definitely have to read.

*Note: All quotes taken from the ARC are subject to change

YA

Review: A Mad, Wicked Folly by Sharon Biggs Waller

Andge @ Down the Rabbit Hole

a mad, wicked folly -sharon biggs wallerWelcome to the world of the fabulously wealthy in London, 1909, where dresses and houses are overwhelmingly opulent, social class means everything, and women are taught to be nothing more than wives and mothers. Into this world comes seventeen-year-old Victoria Darling, who wants only to be an artist—a nearly impossible dream for a girl.

After Vicky poses nude for her illicit art class, she is expelled from her French finishing school. Shamed and scandalized, her parents try to marry her off to the wealthy Edmund Carrick-Humphrey. But Vicky has other things on her mind: her clandestine application to the Royal College of Art; her participation in the suffragette movement; and her growing attraction to a working-class boy who may be her muse—or may be the love of her life. As the world of debutante balls, corsets, and high society obligations closes in around her, Vicky must figure out: just how much is she willing to sacrifice to pursue her dreams?

 

4.5 Drink Me Potions

A Mad, Wicked Folly has been on my to-read list for a long while, but I kept putting it off for who knows what reasons. So to my utter surprise, I realize I had set aside this long a book that spoke volumes to me. The historical YA genre has started picking up with better books lately, so if you like a dose of history (with clear evidence of research into the time period) along with a strong protagonist fighting for a cause, this is the book for you.

Set in the early 1900s, the women suffragist movement was picking up in both America and England. I always love a good novel set in London, and this Edwardian era novel is no exception. The times are changing and women are fighting for more freedom and equal opportunities as men. More education, getting their own wages and doing something more substantial than just hosting the next dinner party for their husbands. I never considered myself a huge feminist and just briefly studied the history of women’s rights. But this book really opened my eyes to the very realistic struggle that such women went through in order to make a better life for their daughters, their nieces and any woman who was radical enough to want something more for themselves for a change.

Vicky Darling was no exception as such a protagonist. She yearns to go to art school, to exhibit her work in galleries and get paid for it. She dreams more for herself than just being a docile wife to a man who thinks she has no brain or useful purpose beyond being an arm candy.

I loved Vicky. She was already bold for a girl in her social circle. Being an upper middle class young woman meant more pressures into being the traditional kind of lady. Marrying for title and for money. It was harder to break out of the mold. But she posed nude. For the sake of art! I’m not sure even I would be bold enough to do such a thing now, 100+ years after.

Not only was she courageous enough to do such a thing, she faced the resulting consequences with her head held high. She grew immensely through the events of the book. Sharon Biggs Waller did a great job of documenting the events of Vicky’s life after that single moment. Vicky initially didn’t align herself with the suffragettes but the focus of this book is mostly on their fight for equality.

Now, normally, I would think such a premise would make it kinda boring, right? And of course, there’s tons more to this story beyond the historical accuracies of the women rights movement for voting. However, this surprisingly (and I’m glad for it) took my breath away, at the emotion of the fight. It might connect more if you are also a woman, to understand that real women fought such things so that we could do things we take for granted now.

If that doesn’t satisfy you enough to want to pick up the book, A Mad, Wicked Folly also revolves around a love triangle of sorts. You know I abhor those, but this was more of a complicated situation. On one hand, Vicky needed to get out of her father’s control, and marriage to a suitable husband could provide that. Even if she didn’t love him.

On the other hand, you’ve got Police Constable William Fletcher. Ah, Will.

The blooming romance with him was amazing. And it mainly stems from how great (and hot) of a model he makes for Vicky’s drawings. Here is where the other great aspect of the book comes in. Wait for it? Is it the romance? Sure, it played a decent role in the plot and was very enjoyable, but what blew my mind? The art.

I don’t confess to know much about art, or have the greatest passion for it. I’m more of a writer, if this doesn’t already surprise you. But the details that went into describing Vicky’s work and seeing her world through an artist’s eye made it all the more breathtaking.

I think there’s a bit of everything all wrapped up in a beautiful novel set in Edwardian London. Don’t make the mistake I did to wait so long to read it. Sharon Biggs Waller writes in a manner that draws you into the time period and into the emotions of our protagonist and those surrounding her.

Overall Recommendation:
A Mad, Wicked Folly is another example of how amazing well-researched historical YA books can be. Vicky Darling is an artist, or at least she hopes to be if she could ever get the chance to learn more. But in Edwardian London, women aren’t allowed the same opportunities. Set in the time period of the women’s rights movement, it gives a wonderful picture of how hard real-life women in the past fought for things we may take advantage of now. Vicky’s journey and self-growth as she learns what it takes, what sacrifices she may need to make, in order to pursue her dream as a young woman in the early 20th century. Add a sweet romance with her model, I’m sure this book has something to draw just about anyone in. Who ever said history couldn’t be fun to read about?