Sometimes, the worst day of your life happens, and you have to figure out how to live after it.
So Clementine forms a plan to keep her heart safe: stay busy, work hard, find someone decent to love, and try to remember to chase the moon. The last one is silly and obviously metaphorical, but her aunt always told her that you needed at least one big dream to keep going. And for the last year, that plan has gone off without a hitch. Mostly. The love part is hard because she doesn’t want to get too close to anyone—she isn’t sure her heart can take it.
And then she finds a strange man standing in the kitchen of her late aunt’s apartment. A man with kind eyes and a Southern drawl and a taste for lemon pies. The kind of man that, before it all, she would’ve fallen head-over-heels for. And she might again.
Except, he exists in the past. Seven years ago, to be exact. And she, quite literally, lives seven years in his future.
Her aunt always said the apartment was a pinch in time, a place where moments blended together like watercolors. And Clementine knows that if she lets her heart fall, she’ll be doomed.
After all, love is never a matter of time—but a matter of timing.
Overall Recommendation:
A beautiful story about an apartment that slips through time when the people visiting are at crossroads in life, The Seven Year Slip continues to show how Ashley Poston shines in this genre. While setting up the story took a little time, once Iwan and Clementine met in this apartment, the tale of heartbreak, grief and love across time really took off. I loved how all of these topics were dealt with and came to love the protagonists and their journey so much! A definite must read if you loved Ashley’s previous works.
Seven friends throw a 1920s-themed party, where it’s all pretend–until one of them is murdered. One of Us Is Lying meets Knives Out in this killer locked-room mystery.
Someone brought a knife to the party.
To celebrate the end of high school, Izzy Morales joins her ride-or-die Kassidy and five friends on a 1920s-themed getaway at the glamorous Ashwood Manor. There, Izzy and her friends party in vintage dresses and expensive diamonds–until Kassidy’s boyfriend turns up dead.
Murdered, investigators declare when they arrive at the scene, and now every party guest is a suspect. There’s the girlfriend, in love. The other girl, in despair. The old friend, forlorn. The new friend, distressed. The brooding enigma. And then, there’s Izzy–the girl who brought the knife.
To find the killer, everyone must undergo a grueling interrogation, all while locked in an estate where, suddenly, the greatest luxury is innocence.
Overall Recommendation:
Suddenly a Murder captured my attention from the start with its intriguing premise (locked room mystery, anyone?) and a cast of equally suspicious characters. The 1920s themed setting was so much fun, even though the story is set in the present. With a fairly fast pacing and plenty of flashbacks from each potential suspect that only makes them each look more guilty, I couldn’t make up my mind on who the culprit is. That’s the ultimate highlight for me in a murder mystery: a book that keeps me on my toes and constantly guessing.
The setting: an old mansion on its own private island that’s been empty since the 1920s.
The beginning: a group of just-graduated high school seniors get the privilege of staying for a week at said old mansion. Did I mention they’re a bunch of super privileged kids?
The surprise: everyone has to stay in 1920s character for authenticity during the week as part of the fun. Oh, and also, one of them dies. And it wasn’t an accident.
The cast of characters: oh boy, where do I even start?
Suddenly a Murder has one of my favorite things in mysteries: locked room mysteries. When you’re isolated in such a setting, is it more believable that the killer is someone random who somehow magically broke in? Or is it more plausible it’s one of the few people present? Who would want to kill Blaine, a popular guy who was among friends?
The cast of suspects has to be interesting, with motive or at least opportunity, or else the whodunnit would be solved way too easily. And this book does it all.
Kassidy, the girlfriend.
Chloe, a girl who may be more upset at his death than expected.
Fergus, the (neglected) childhood best friend.
Ellison, the new friend with his own hidden secrets.
And Marlowe, the aloof rich boy who may be harboring ulterior motives.
Oh, and of course, Izzy, our protagonist, who brought the knife to the mansion. When your protagonist is an unreliable narrator, it heightens everything as it makes it hard to believe everything as it seems on the page.
What made this book such a page turner for me was the inability to make a solid guess at the killer for most of the book. Everyone could’ve done it. Everyone has a motive. And everyone was hiding secrets from each other and our point of view.
In the vein of Knives Out, the pair of detectives assigned to the case were an eclectic match, with one not actually being a real detective but a consultant with interesting techniques for sniffing out killers. I loved seeing how they themselves went about looking for the truth when everyone lies and no one’s narrative may represent the events fully.
I will say the ending was not what I expected. I’d like to think I’ve read enough YA mysteries to know how most end, so it was interesting for it to conclude this way. All in all, a really solid read.
A curmudgeonly professor journeys to a small town in the far north to study faerie folklore and discovers dark fae magic, friendship, and love in the start of a heartwarming and enchanting new fantasy series.
Cambridge professor Emily Wilde is good at many things: She is the foremost expert on the study of faeries. She is a genius scholar and a meticulous researcher who is writing the world’s first encyclopaedia of faerie lore. But Emily Wilde is not good at people. She could never make small talk at a party–or even get invited to one. And she prefers the company of her books, her dog, and the Fair Folk.
So when she arrives in the hardscrabble village of Hrafnsvik, Emily has no intention of befriending the gruff townsfolk. Nor does she care to spend time with another new arrival: her dashing and insufferably handsome academic rival Wendell Bambleby, who manages to charm the townsfolk, get in the middle of Emily’s research, and utterly confound and frustrate her.
But as Emily gets closer and closer to uncovering the secrets of the Hidden Ones–the most elusive of all faeries–lurking in the shadowy forest outside the town, she also finds herself on the trail of another mystery: Who is Wendell Bambleby, and what does he really want? To find the answer, she’ll have to unlock the greatest mystery of all–her own heart.
Overall Recommendation:
With Emily’s unique voice set in a beautifully imaginative historical world where faeries live among us, Emily Wilde’s Encyclopaedia of Faeries stands itself firmly out among the crowd. Perfect for an autumn or winter read, this book transports you to this alternative history in early 1900s through Emily’s eyes as a researcher of the fae. I loved the extensive world building and Emily’s grumpy character to Wendell’s bubbly nature. The romance was slow burn while the world takes centre stage, but this is everything I could ask for. This is how a cozy historical fantasy should be done!
The hype was real with this book when it first came out, and I’m never too certain if I want to jump on board the hype train while it’s still hot. However, my workplace book club voted to read this so I gladly decided to pick it up now, a little behind most others, and I’m so happy I did.
Emily Wilde’s Encyclopaedia of Faeries is the perfect blend of coziness for an autumn/winter read, intrigue into the world building full of all sorts of faeries, and slow burn romance that makes me want to giggle like a young schoolgirl swinging her feet happily. To describe everything that I feel for this book is not going to be easy, but I can describe the tropes I found I really enjoyed.
Starting with characterization, our protagonist Emily is a grumpy introvert with perhaps more than a dash of social anxiety and a huge love of rational thinking. Think Kathy Reich’s protagonist Temperance Brennan kind of awkwardness and love for scientific discovery. I rather enjoyed Emily’s character, from start to finish. She grew a lot in her experiences at Ljosland as she hoped to finish her encyclopedia with an entry on the Hidden Ones found in this sub-Arctic country.
To balance her character, her mysterious colleague and sometimes rival, Wendell Bambleby was an enigma from the start. Bubbly personality that could charm pretty much anyone once he got started, he was the complete opposite of Emily in pretty much most ways. While he enjoyed his work on faeries, he was noted to have many students help him with the “hard” work and may have fabricated data for a study or two (whoops). His teamwork with Emily, though, was one of my favourite things. This was the true definition of a grumpy and sunshine couple, and I loved seeing their banter that brought out Emily’s snarkiness and his teasing. For fans of romance, I will say this was a very slow burn romance that barely constituted much in this book, however, I wouldn’t want it to change a thing as it sets the stage for so much more we can expect in the next book.
The mystery surrounding Wendell, as hinted in the synopsis, doesn’t actually come at the end but gradually builds which was a delightful surprise. It’s not that we know everything, but it’s enough to draw us forward for what’s to come. I thought that was beautifully done by Heather, and she may be an author to love based on this alone.
Other tropes I loved that was featured heavily is the concept of found family. Emily never made ties with the villagers in the remote locations she did field work for her research. She did her thing and left, no emotions or strings attached. But in an isolated place like Ljosland, when things go awry (and oh boy, do they have some interesting misadventures), you need someone to count on besides yourself. I really enjoyed seeing these secondary characters blossom a little, and how they brought out Emily’s softer side that wasn’t so rigid in empirical thinking.
The pace and world building were excellently done as well, something I find can be quite hard in books. Written as a detailed journal with dated entries, it never quite felt like the story was too long or the author dumped a load of information about the world for the sake of knowledge alone. References were made, including little intriguing footnotes, that made me want to know more instead of reading paragraphs full of descriptions that made me yawn. I thoroughly enjoyed this method of giving us information while being true to Emily’s experiences and her voice. If you’re a fan of Piranesi, I would think this similar writing style would be of interest to you.
I’ve done all this talking and I haven’t even gotten to the faeries yet. Honestly, even if this wasn’t a faerie book, there are just so many things to love already. But as it is a faerie book, I will mention there is so much creativity and imaginative thought put into this story. From different faerie stories collected Emily has collected in her research travels to the different species and their unique attributes/weaknesses, even the randomest details in Emily’s notes she references could play a larger role in the overall story than we know. The faeries range from scary/violent to little common fae I would love to meet. Heather has put care into describing them and crafting this folklore feel around everything. If I had to absolutely pick my most favourite element of this book, I’d have to go with this.
I could go on and gush more, but I will end off saying this book more than meets the hype. You may not think of yourself as a historical fantasy kind of reader, but you wouldn’t know until you try. There are so many elements here to love. In a similar vein to Rebecca Ross’ A River Enchanted, there’s not only magic in the story, but there is magic in reading the book itself.
Down the Rabbit Hole 