
Fans of Elise Bryant and Rachel Lynn Solomon will swoon for Last Chance Books author Kelsey Rodkey’s next romance, packed with snark, banter, and inconvenient crushes.
Saine Sinclair knows a little something about what makes a story worth telling.
Your childhood best friend refuses to kiss you during a pre-adolescent game of spin the bottle? Terrible, zero stars, would not replay that scene again. The same ex-friend becomes your new best friend’s ex? Strangely compelling, unexpected twist, worth a hate-watch. That same guy–why is he always around?–turns out to be your last shot at getting into the documentary filmmaking program of your dreams?
Saine hates to admit it, but she’d watch that movie.
There’s something about Holden that makes her feel like she’s the one in front of the camera–like he can see every uncomfortable truth she’s buried below the surface. Saine knows how her story’s supposed to go. So why does every moment with Holden seem intent on changing the ending?

**A Disaster in Three Acts comes out July 5, 2022**
Thank you Edelweiss and the publisher for this copy in exchange for an honest review.
Aptly named, the storyline followed its title as it really was a disaster in three acts at times. I wonder if Kelsey Rodkey is an author that works for me because this is her second book and the second time I struggled to love it. Iโll try to list out the reasons why A Disaster in Three Acts didnโt work for me personally.
The protagonist is always key when it comes to a book. Maybe it isnโt as much for others, but I strongly believe even a great story can be awful if you really donโt like the narrator/protagonist youโre stuck with. Saine, pronounced โsaneโ as in the second syllable of โin-saneโ – which the book clarifies and not just what Iโm telling you, is a mess. Honestly. I love character arcs where they face growth through the mistakes they make but sheโs just not someone to be sympathetic for.
Sheโs so selfish. I hated seeing how she put her documentary โstoryโ and how she wanted to craft the excitement for her tale by twisting or manipulating events that may not be quite be the truth. She was right in the sense that this strays from documentary to realistic TV realm. And we all know how โtruthfulโ reality TV is, donโt we?
Her documentary subject is Holden, her childhood best friend and former crush. I love that romance trope. Trust me, I really wanted to enjoy it. But when she practically self sabotages growing feelings and places her documentary film over the very real guy sheโs filming, Iโm no longer Team Saine. Holden deserves better and it sucked to see how much she went behind his back and even her new best friend who formerly dated Holden.
The pacing wasnโt great either. The main premise for the book and the documentary sheโs filming was about a competition Holden had entered to win a grand prize. I thought the competition would definitely last longer and be a larger focal point but that was sadly not the case. It ended maybe not even halfway through the book so weโre left with the ability to go off script in Saineโs creative process. Hence the lovely plot ensuing surrounding her less than honorable filming tactics.
If I didnโt enjoy Saine as a character or the potential romance with Holden, thereโs really not much more room to love anything else. Her group of friends are somewhat featured as Corinne, her new best friend, definitely adds to this weird love trope. Is it a girlโs code to never date your best friendโs ex? Does it count if you were technically friends with them first and had a HUGE crush once upon a time? Either way, that was a little entertaining but hardly sustainable for a full length book. They had their friendship problems and Iโm glad the book took time to discuss it without only pitting one girl against the other.
The only thing that was really interesting and unique about the story was the mini plot dive into grief and how itโs handled (or not handled). Saineโs grandmother passed away prior to the start of the book but her impact on Saineโs creativity, love of documentaries and art are very much present. I liked that it was subtly explored as Iโm sure people grieve differently and communicating such grief, especially between the remaining family members, is so important.
But, Iโm sure thatโs not what everyone came to this book for, so please take what you will from this review. It may just be me, but honestly, Iโm not sure Saineโs a very likable protagonist in general. Flawed, yes. The intriguing morally gray? No. So perhaps youโll like it, but perhaps you also may not.
Overall Recommendation:
A Disaster in Three Acts at least lived up to its name because Saine as a protagonist was truly disastrous. The plot wasnโt compelling with the documentary she was filming and her whole relationship with Holden was more selfish than romantic. Thereโs not a whole lot left to love but perhaps a more sympathetic reader will find more joy in its pages. At least for me, this was a no.



